VENDEMOS Y COMPRAMOS EQUIPOS DE OCASIÓN

Red One MX segunda mano

4.000,00€

Equipped with a 14 Mega-Pixel Super35 35mm sized sensor delivering 4.5K ultra HD, capturing 12-bit RED R3D RAW footage which provides 13 Stops of Latitude / Dynamic Rang

  • Montura PL
  • Sensor CMOS MX
  • 12 millones de píxeles
  • Formato grabación Redcode
  • Captura 4 K, 3 K y 2 K
  • Digital media SSD 64 GB
  • Velocidad
    1.    1-30 fps 4K
    2.    1-60 fps 3K
    3.    1-120 fps 2K
  • Salida video Dual HDSDI, HDSDI y HDMI
  • Salida audio mini XLR3

This is the camera that caused shock waves throughout the Film and Television industry and it still packs a punch!

The new MX sensor has a 800 native ISO rating too, so it’s NO slouch in the low-light department!

It shoots up to 120 FPS (frames per second) making this camera extremely versatile. We supply the camera with 3 x RED 320GB hard drives and RED compact flash, which allows for instant playback of footage and even the super high speed stuff.

With the new firmware the RED One MX has REDColor2, REDColor3 and REDLogFilm profiles matching the RED Scarlet and RED EPIC cameras!

También disponibles Sony PXW-FS7 segunda mano, Canon C300 segunda mano, Canon C500 segunda mano, RED One MX segunda mano, Canon C500 segunda mano, Canon C200 segunda mano, Canon C700 segunda mano, C300 Mk2 segunda mano, C300 MK II segunda mano, Red Scarlet segunda mano, Red Raven segunda mano, Arri Amira Premium 4k segunda mano, Arri Alexa Mini segunda mano,

También disponibles Arri Alexa LF segunda mano, Arri Alexa Mini LF segunda mano, Arri Alexa SXT W segunda mano, Arri Alexa XT Plus 4:3 segunda mano, Arri Alexa Mini segunda mano, Red Monstro 8k segunda mano, Red Helium 8k segunda mano, Red Gemini segunda mano, Red Scarlet segunda mano, Red Raven segunda mano, Sony Cinealta Venice segunda mano, Arri Amira Premium 4k segunda mano, Arri Alexa Studio XR segunda mano, Arri Alexa Studio Segunda mano, Arri Alexa Plus HS, Red Epic segunda mano, Panasonic Varicam 35 segunda mano

Manual Red One MX

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This is the Red One MX segunda mano that caused shock waves throughout the Film and Television industry and it still packs a punch!. Red One MX segunda mano

Equipped with a 14 Mega-Pixel Super35 35mm sized sensor delivering 4.5K ultra HD, capturing 12-bit RED R3D RAW footage which provides 13 Stops of Latitude / Dynamic Range. How many?

The new MX sensor has a 800 native ISO rating too, so it’s NO slouch in the low-light department!

It shoots up to 120 FPS (frames per second) making this camera extremely versatile. We supply the camera with 3 x RED 320GB hard drives and RED compact flash, which allows for instant playback of footage and even the super high speed stuff. Red One MX segunda mano

With the new firmware the RED One MX has REDColor2, REDColor3 and REDLogFilm profiles matching the RED Scarlet and RED EPIC cameras!.

How does the RED ONE differ from HD cameras?

In the very highest quality HD cams, the RGB signal is not sub-sampled, offering the best HD quality at 4:4:4 (HDCAM SR). Typically, the chroma is sub-sampled at 4:2:2 RGB (DVCPRO HD) and 4:2:0 (HDV). Effectively, where HD tops out, resolution-wise, the RED ONE® begins, offering 2K (2048 x 1152), 3K (3072 x 1728), 4K (4096 x 2304) and 4.5K (4480 x 1920) recording options.

RED® uses a sensor measured at 4520 x 2540 pixels, more than five (5) times the number of pixels of an HD camera. All information travels in a single channel, as opposed to three separate RGB paths. Where a video camera requires the «baking in» of white balance, color and gain before recording, these are adjustments that can be made after the fact with a RED ONE.

Is the Red One MX segunda mano considered a video camera?

No. The Red One MX segunda mano is described as a Digital Cinema Camera because the RED ONE more resembles a RAW file-based still DSLR. The RED ONE can convert RGB video to its EVF, LCD, HD-SDI, and HDMI monitor outputs.

What is REDCODE?

REDCODE® is a visually lossless, wavelet-based compression codec that compresses the enormous 4K files into a more manageable size, allowing long recording times on media as small as a Compact Flash card. Red One MX segunda mano provides three compression settings in the RED ONE: 28, 36 and 42.

For more information, go to the RED ONE Operation Guide.

 

Tech Specs

SENSOR 14 Megapixel MYSTERIUM-X
PIXEL ARRAY 5120 (h) x 2700 (v)
MAX IMAGE AREA 4480 (h) x 2304 (v)
DYNAMIC RANGE 13+ stops
LENS COVERAGE 24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
MAX DEPTH OF FIELD Equivalent to S35mm (Motion) lens
Equivalent to 16mm (Motion) lens in 2K RAW
PROJECT TIMEBASE 23.98, 24, 25, 29.97 fps @ 4K and 4.5K resolution
50, 59.94fps @ 2K and 3K resolution
RECORDING FRAME RATES 1–30 fps @ 4.5K, 4K
1–60 fps @ 3K
1–120 fps @ 2K
REDCODE COMPRESSION 12-bit RAW : RC28, 36, 42 Quality Levels
REDCODE RAW
ACQUISITION FORMATS
4.5K (2.4:1)
4K (16:9, HD, 2:1, and Anamorphic 2:1)
3K (16:9, 2:1, and Anamorphic 2:1)
2K (16:9, 2:1, and Anamorphic 2:1)
DELIVERY FORMATS1 4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
MONITOR OUTPUTS HD-SDI and HDMI with Frame Guides and Look Around
720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS RED LCD 5″ Flat Panel Display
RED PRO LCD 7″ Flat Panel Display
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
DIGITAL MEDIA RED CF, REDMAG 1.8″
AUDIO 4 channel, uncompressed, 24-bit 48 kHz
REMOTE CONTROL USB-2, GPI Trigger
CONSTRUCTION Aluminum Alloy
WEIGHT 10 lbs (Body only)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)

Also available Used Sony PXW-FS7 , Used Canon C300 , Used Canon C500 , Used RED One MX , Used Canon C500 , Used Canon C200 , Used Canon C700 , Used C300 Mk2 , Used C300 MK II , Used Red Scarlet , Used Red Raven , Used  Arri Amira Premium 4k, Used Arri Alexa Mini

 

Manual Red One MX

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